Posts Tagged ‘War’

Chimps Too Wage War

Saturday, July 3rd, 2010

While I was hiding out from the news for a week or so, this little myth destroyer appeared.  One of the ways some have convinced themselves that war is a human aberration is to point at other mammals and especially our closest hominian cousins: they might fight but they don’t organize themselves for it!  Well, it seems that some do — and pretty viciously.

A band of males, up to 20 or so, will assemble in single file and move to the edge of their territory. They fall into unusual silence as they penetrate deep into the area controlled by the neighboring group. They tensely scan the treetops and startle at every noise. “It’s quite clear that they are looking for individuals of the other community,” Dr. Mitani says.

When the enemy is encountered, the patrol’s reaction depends on its assessment of the opposing force. If they seem to be outnumbered, members of the patrol will break file and bolt back to home territory. But if a single chimp has wandered into their path, they will attack. Enemy males will be held down, then bitten and battered to death. Females are usually let go, but their babies will be eaten.

NY Times: Wade

[Warning!  Chimp on chimp violence shown.]

One study doesn’t make the case completely of course, but ten years of watching, documenting, taking pictures is a very persuasive start.  Could be something in this group’s water, or peculiarities in their environment that make them unique, but that’s a “could be.”  Not every expert is persuaded but all are interested.

For myself I prefer to think of the “hard wiring” that we may have inherited from our chimpy ancestors as more like “firm ware,” something that can be re-programmed as our knowledge of and agreement about, war, grows in depth and strength. Rationality and empathy are hard wired, too.

Avatar: The Movie

Monday, January 18th, 2010

Avatar, the technically amazing, richly conceived and executed movie, will not be to everyone’s taste.  It is tasty enough, however, to have broken all box office records, streaking to be the fastest movie to gross over $500 million, in only 32 days. Second place goes to The Dark Knight, which took 45 days, followed by Cameron’s Titanic taking 98 days.  The “you-gotta-see it” factor is enormous.  Even those who avoid big American films –including yours truly– are persuaded, and pay the 3-D marked up ticket price.

The visual richness and imaginative detail of Pandora, the moon/planet,  the setting of the entire film, is simply astounding.  The floating-in-space scenes as the humans approach their destination, unforgettable.  The merging of human/actors with humanoid/graphics is seamless, especially when both seem to be appearing in the same sequences – an actor in an attack helicopter alongside an enormous computer graphics gun ship, complete with a mad man in command and troops with guns on the loading dock.
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Gardens of Stone: A Film

Tuesday, December 22nd, 2009

For some, Francis Ford Coppola’s Apocalypse Now (1979) is the best film made about the Vietnam War:  for some it is one of the greatest war/anti-war films ever made. It was certainly a manic, filmic projection of a manic man-eating war.  Eight years later Coppola made another film about Vietnam, this one quiet, no napalm, no screaming jets, just the daily, non stop burial of those coming back in boxes, to be buried at Arlington National Cemetery, and the agonizing grief of those who loved them.  Like too many of Coppola’s films, Gardens of Stone, (1987) fell into puzzlement and dismissal and has all but disappeared. It may be worth taking another look at it with another, terribly similar war thrumming in our ears, and the forgetting of the earlier one all but complete.

The story is a simple one. The spit and polish 3rd U.S. Infantry Regiment carries dead soldiers and presidents to their graves at Arlington National Cemetery.  The Regiment is the public face of the respect and honor given to the military dead.  The soldiers are drilled and groomed to an almost unbelievable perfection, and Coppola gives them their full due.  As an artist of the technical you can almost see Coppola’s admiration in the repeated shots of precision arms handling, marching, saluting.

Among the soldiers are three, around whom the story is built.  James Caan plays Clell Hazard, a very believable top sergeant.  Lean and tough, he is taunted for being a “pacifist” because he thinks the war in Vietnam is the wrong war against the wrong people, and being fought the wrong way; in other words — get out.  But if it is going to be fought, he believes he should not be with the Old Guard, a “toy soldier,” but should be at Fort Benning training young soldiers to fight and stay alive.  [The reasons that he is not allowed to go is one of the weaker parts of the film.]

His superior and good friend, Sergeant Major “Goody” Nelson, is played by James Earle Jones –the Sergeant Major, with more gold on his sleeve than can be lifted, and a sternness in his presence that is entirely convincing.  For great military tough guy pyrotechnics you could not have cast better. They go after each other, and anyone in sight with hammer and tongs. Yet, their friendship is real and extends back to the Korean war.

Into the Regiment comes a new recruit, Jackie Willow (D.B. Sweeney) who is regularly called “Dildo” in the eternal male teasing that says if you can deal with this, then you’re a man and we can can trust you. (more…)